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Drawing 1400-1600: Invention and Innovation
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历磊 |
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Stuart Currie
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免魄荤 |
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Ashgate Publishing Company |
免魄斥档 |
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1998.09.21 |
其捞瘤荐 |
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224
( 鼻荐 : 1 )
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I S B N |
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1859283640 |
沥啊 |
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99.00¥
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魄概啊 |
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173,320盔
back ... |
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林夸格瞒 |
Table of Contents
List of figures
List of contributors
Preface
Acknowledgments
1 Drawing and design in late
fourteenth-century France: the case for the sculptor
Julia Watson
2 Imitation, invention or good business
sense? The use of drawings in a group of fifteenth-century French Books of Hours
Susie Nash
3 Training and practice in the early Renaissance workshop: observation on Benozzo
Gozzoli's Rotterdam Sketchbook
Francis Ames-Lewis
4 Maso Finiguerra and early Florentine printmaking
Lucy Whitaker
5 Mantegna and Pollaiuolo: artistic
personality and the marketing of invention Alison Wright
6 Luca Signorelli's studies of the human figure
Claire Van Cleave
7 The `Deutsch' and the `Welsch': Jorg Breu
the Elder's sketch for the Story of Lucretia
and the uses of classicism in sixteenth-century Germany
Andrew Morrall
8 Vasari, prints and imitation Sharon Gregory
9 Invenzione, disegno e fatica: two
drawings by Giovambattista Naldini for an
altarpiece in post-Tridentine Florence
Stuart Currie
10 Drawings for Bartolomeo Passarotti's Book of Anatomy
Monique Kornell
11 Antonio Tempesta as printmaker:
invention, drawing and technique
Michael Bury
12 Early modern collecting in Northern
Europe: copied drawings and printed prototypes
Tarnya Cooper
Index
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