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The Literary Channel: The Inter-National Invention of the Novel (Translation/Transnation   
ÀúÀÚ : Margaret Cohen (Editor), Carolyn Dever (Editor)  
ÃâÆÇ»ç : Princeton Univ Pr
ÃâÆdz⵵ : 2002.01.21
ÆäÀÌÁö¼ö : 332   ( ±Ç¼ö : 1 )
I S B N : 0691050015
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ACKNOWLEDGMENTS vi

Introduction by Margaret Cohen and Carolyn Dever 1

PART I: The Novel without Borders 35

CHAPTER ONE: Transnationalism and the Origins of the (French) Novel by Joan DeJean 37

CHAPTER TWO: National or Transnational? The Eighteenth-Century Novel 50

CHAPTER THREE: Sentimental Bonds and Revolutionary Characters: Richardson's Pamela in England and France by Lynn Festa 73

CHAPTER FOUR: Sentimental Communities by Margaret Cohen 106

CHAPTER FIVE: Transnational Sympathies, Imaginary Communities by April Slliston 133

PART II: Imaging the "Othered" Nation 149

CHAPTER SIX: Phantom States: Cleveland, The Recess and the Origins of Historical Fiction by Richard Maxwell 151

CHAPTER SEVEN: Gender, Empire, and Episolarity: FromJane Austen's Mansfeild Park to Marie-Therese Humbert's La montogue des Signaux by Francoise Lionnet 183

CHAPTER EIGHT: The (Dis)locations of Romantic Nationalism: Shelley, Stael, and the Home-Schooling of Monsters by Deidre Shauna Lunch 194

CHAPTER NINE: "An Occult and Immoral Tyranny": The Novel, the Police, and the Agent Provocateur by Carolyn Dever 225

CHAPTER TEN: Comparative Sapphism by Sharon marcus 251

AFTERWORD: From Literary Channel to Narrative Chunnel by Emily Apter 286

SELECTED BIBLIOGRAPHY 295

CONTRIBUTORS 303

INDEX 305


 

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